Obscure Temptations, one of Jiri Kylián’s creations for NDTIII
World-renown Czechoslovak-born dance choreographer Jiri Kylián will be celebrating his artistic creation for dancers over 40 during the Kylián Festival at the brand-new Korzo Theatre under the theme “All Ages Dance.” The festival runs from May 22 to 31, 2014.
The company, Nederlands Dans Theater III, was founded by Kylián in the early 1990s to incorporate dancers over 40—who are typically considered past their “prime.” Going against the grain, Kylián believes that we should all be able to dance “from the womb to the tomb”:
Through my long-time experience as a dancer, choreographer and artistic director, and through my encounters with East Asian cultures and the Australian aboriginal people, I have learned that we possess the ability to dance throughout our entire life and that it should be treasured and respected – Yes, we are able to dance “From the womb to the tomb”….!
What a refreshing and heart-warming message for older dancers like me, even though I am just an amateur.
Despite this encouraging development in the professional dance community, it still irks me that there are no over-40 professional dance company that showcases classical ballet—in a way that does not highlight the virtuosity of technique and great extension but emphasizes the grace and musicality of movements that are suitable for the dancer’s age and physical ability. Sure, there are individual ballet dancers who continue to dance professionally after 40. But is there a professional classical ballet company with dancers over 40 exclusively? Please enlighten me if there is!
Perhaps it is a laughable idea. The demand of classical ballet requires so much of dancers that one of the main reasons dancers retire after 40+ is that their bodies can no longer take it anymore. But what if choreographers adapt their works to suit older dancers? It’s not a matter of watering down movements, but showcasing what the dancers can express by whatever physical facility they have?
Choreographers may consider emulating what Sir Frederick Ashton had done for Margot Fonteyn toward the end of her career. He created the ballet Salut d’Amour for her to perform on her 60th birthday. It would be unfair to judge her dancing with the same kind of technique and extension expected of a 20-year-old. Yet, look at her! How expressive! What grace! What beauty!