My headline may have you fooled into thinking that I have any sort of personal relationship with Margot Fonteyn. Well, in that case I have succeeded 😉
To say that I have a connection with her is actually not that far-fetched, even though such a connection is not personal.
What ties me to this prima ballerina absoluta, who still is very much alive in many balletomanes’ hearts, are two vintage items that I have collected.
The first can be considered my favorite piece of ballet memorabilia in my meager collection: An autographed copy of “The Magic of Dance,” written by Fonteyn herself.
I acquired this book a few years ago from someone who apparently did not know who Fonteyn is, and was thus selling the book on eBay at an extremely reasonable price. I was pleasantly surprised to find the ballerina’s autograph in the book as well as a pamphlet for a luncheon held in London to mark the publication of this book. Whenever I look at her autograph and touch the title page, a special kind of awe springs from deep inside me. Unfortunately, the pamphlet has been lost during a recent move. Luckily I have scanned the cover. I remember the inside spread shows the rest of the guest list as well as a seating plan.
In the book, there are a few lovely pictures of the dancer herself, including one taken inside the Drottningholm Theatre in Stockholm (which I had the great opportunity to visit one time), one in Shanghai and one in Athens. She wrote about dance history and all forms of dances in the book, not just ballet. Not surprisingly, one can find quite a lot of photos of her dance partner Rudolph Nureyev. This book has a special place on my bookshelf and in my heart.
The other item I want to share with you is a vintage ballet postcard showing Margot Fonteyn as Aurora in Sleeping Beauty, Act I. On the back of the postcard, a beautifully handwritten message says: “June 16, 1953 Covent Garden, ‘Sylvia’ Sadlers Wells Ballet. Margot Fonteyn – Sylvia, Michael Somes – Aminta. Beautiful setting and decor. Superlative dancing by both of the “stars” – also, by John Hart (Orion) and Alexander Grant (Eros). The group dancing was also near perfection.”
There is something magical in reading someone’s handwritten note that summarizes a ballet performance in such earnestness, albeit in great brevity. The magic lies in the nostalgia of a bygone era. Today, most people would not take the time to do this sort of thing. A selfie inside the theater, a short status update on Facebook or a review on a blog are the most common ways to record our experience at the dance theater. But a handwritten note on a postcard? This just feels so much more tactile, more real. Not a bad idea to revive this practice, eh?
Today, it is not difficult to find tons of digital images of ballet stars past and present. But owning a postcard like this helps to shorten the distance between me and the dancer. This postcard is framed and sitting on my desk, and Margot Fonteyn continues to inspire me with her beauty, grace, elegance and strength.
What are your favorite ballet memorabilia? I would love to hear from you.