Anna Pavlova and Turned-in Legs

Anna Pavlova

Ballet dancers have this obsession about turnout… or worse, that “perfect” 180-degree turnout that is so elusive and unattainable for most of us. But has anybody ever noticed how turned in the legendary Anna Pavlova was? And none of that diminished her artistry and dramatic appeal by even a tiny bit. Just read this passage which describes how Rudolph Nureyev liked the turned-in aesthetics:

“Rudolph has always admired the beauty of Merle [Park]’s legs — slim and turned in like Pavlova’s, with the same highly arched insteps…” (“Rudolph Nureyev, The Life” by Julie Kavanagh, Penguin 2007).

In the following video, you will be able to see some rare footage of Pavlova dancing solos. Listen to what the program host, Margot Fonteyn, said about Pavlova’s dancing: “Pavlova disregarded pure ballet technique. When it suited her it was only because she was interested in being expressive. Virtuosity had no purpose unless it served the purpose of dance. And yet at the same time, she had the speed and strength which would be hard to equal today.”

Cheers to turned-in legs and expressive dancing!

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